All in all though, after 2 weeks of daily professional use, the Apollo Solo is a real winner. And the daily emails from UA exhorting me to buy more plugins have become tiresome. It would be great if a dust cover were supplied. This device needs an on/off switch it usually wakes up - rather noisily - when plugged in to the Thunderbolt port, but often I have to reboot. LUNA looks amazing, though I have no need for multitrack recording - and I suffer from a bit of PTSD (ProT***s Stress Disorder). The included plugins appear, usefully, in the Effects menu of my simple DAW software program, Twisted Wave - yet unfortunately, so do scores of others that are irrelevant to my work. Voice recordings using a Sennheiser 416 shotgun condenser mic at 48 kHz/24 bit sound clean and nuanced to me, and more importantly, to my agent. Phantom power is easy to toggle on and off. I love the high-pass filter for eliminating rumble. RME Babyface Pro FS (Our Pick) Universal Audio Apollo Twin X (Most Versatile) Apogee Symphony Desktop (Premium Choice) PreSonus AudioBox USB 96 (Best Value) Focusrite Scarlett 2i2 3rd Gen. This is a great piece of gear for owners of modern Macs. Here are our candidates for the best professional audio interfaces. When my bright red audio interface refused to play nice with my M1 MacBook Pro, I decided to upgrade to the Apollo Solo Thunderbolt.
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